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Policies, Guidelines, & Call for Papers

Contents

Philosophy of At the Cutting Edge

For more information, please see At the Cutting Edge Aims and Scope page.

Who Can Submit?

Anyone may submit an original article to be considered for publication in At the Cutting Edge provided he or she owns the copyright to the work being submitted or is authorized by the copyright owner or owners to submit the article. Authors are the initial owners of the copyrights to their works (an exception in the non-academic world to this might exist if the authors have, as a condition of employment, agreed to transfer copyright to their employer).

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General Submission Rules

Submitted articles cannot have been previously published, nor be forthcoming in an archival journal or book (print or electronic). Please note: "publication" in a working-paper series does not constitute prior publication. In addition, by submitting material to At the Cutting Edge, the author is stipulating that the material is not currently under review at another journal (electronic or print) and that he or she will not submit the material to another journal (electronic or print) until the completion of the editorial decision process at At the Cutting Edge. If you have concerns about the submission terms for At the Cutting Edge, please contact the editors.

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Formatting Requirements

At the Cutting Edge has no general rules about the formatting of articles upon initial submission. There are, however, rules governing the formatting of the final submission. See Final Manuscript Preparation Guidelines for details. Although bepress can provide limited technical support, it is ultimately the responsibility of the author to produce an electronic version of the article as a high-quality PDF (Adobe's Portable Document Format) file, or a Microsoft Word, WordPerfect or RTF file that can be converted to a PDF file.

It is understood that the current state of technology of Adobe's Portable Document Format (PDF) is such that there are no, and can be no, guarantees that documents in PDF will work perfectly with all possible hardware and software configurations that readers may have.

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Rights for Authors and Digital Howard @ Howard University

As further described in our submission agreement (the Submission Agreement), in consideration for publication of the article, the authors assign to Digital Howard @ Howard University all copyright in the article, subject to the expansive personal--use exceptions described below.

Attribution and Usage Policies

Reproduction, posting, transmission or other distribution or use of the article or any material therein, in any medium as permitted by a personal-use exemption or by written agreement of Digital Howard @ Howard University, requires credit to Digital Howard @ Howard University as copyright holder (e.g., Digital Howard @ Howard University © 2024).

Personal-use Exceptions

The following uses are always permitted to the author(s) and do not require further permission from Digital Howard @ Howard University provided the author does not alter the format or content of the articles, including the copyright notification:

  • Storage and back-up of the article on the author's computer(s) and digital media (e.g., diskettes, back-up servers, Zip disks, etc.), provided that the article stored on these computers and media is not readily accessible by persons other than the author(s);
  • Posting of the article on the author(s) personal website, provided that the website is non-commercial;
  • Posting of the article on the internet as part of a non-commercial open access institutional repository or other non-commercial open access publication site affiliated with the author(s)'s place of employment (e.g., a Phrenology professor at the University of Southern North Dakota can have her article appear in the University of Southern North Dakota's Department of Phrenology online publication series); and
  • Posting of the article on a non-commercial course website for a course being taught by the author at the university or college employing the author.

People seeking an exception, or who have questions about use, should contact the editors.

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General Terms and Conditions of Use

Users of the Digital Howard @ Howard University website and/or software agree not to misuse the Digital Howard @ Howard University service or software in any way.

The failure of Digital Howard @ Howard University to exercise or enforce any right or provision in the policies or the Submission Agreement does not constitute a waiver of such right or provision. If any term of the Submission Agreement or these policies is found to be invalid, the parties nevertheless agree that the court should endeavor to give effect to the parties' intentions as reflected in the provision, and the other provisions of the Submission Agreement and these policies remain in full force and effect. These policies and the Submission Agreement constitute the entire agreement between Digital Howard @ Howard University and the Author(s) regarding submission of the Article.

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Call for Papers

Contesting Erasure: Empowering Legacy through Innovation, Documentation, and Rectification

The erasure of African Diaspora culture in America specifically, and throughout the Diaspora generally has always been a part of the struggle for liberation. Liberation is not limited to physical freedom, but also the freedom to think, create, act, and exist. True liberation also means receiving credit for, appreciation for, and acknowledgment of, all that is produced culturally, ideologically, and spiritually by people of African descent. Equally important, true liberation means stereotypes, misinformation, and untruths can be rectified with the support of one’s society, instead of society’s opposition to it. This first issue of At the Cutting Edge, “Contesting Erasure: Empowering Legacy through Innovation, Documentation, and Rectification,” serves as a means to expose the propagation of historical untruths and the erasure of Black cultural production; as a means to course correct; and as a call to action. To that end, At the Cutting Edge, is calling for articles for its first issue. All topics and disciplines that address the issue’s scope and/or the journal’s mission and aims will be considered. Please note, articles should be academically rigorous but legible for mainstream audiences.

Within the context of an African and/or African Diaspora focus, we welcome article topics that include:

  • History
  • Ideology — philosophy, theories, methodology, paradigms, etc.
  • Spirituality — traditional/indigenous religions, religious syncretism, etc.
  • Culture — arts (visual and performing), language, foodways, etc.
  • Science — traditional/indigenous technologies, innovations, etc.
  • Interdisciplinary topics — topics that include two or more disciplines
  • Politics
  • Socio-economics
  • Gender studies
  • Appropriation of culture, ideas, and aesthetics
  • Intersectionality – gender, race, identity, demographic

All submissions should be in Chicago Style and no longer than 10,000 words excluding bibliography and footnotes.

We are also accepting reviews of the items below providing that they reflect the spirit of the journal’s mission:

  • Books
  • Films/documentaries
  • Plays
  • Artwork
  • Dance and music concerts
  • Articles

Submissions

Please submit an abstract, CV, and the full article.

Submissions will only be accepted via this website.

For information please contact Yauri Dalencour: journal.atthecuttingedge@gmail.com, or Dr. Ofosuwa Abiola: ofosuwa.abiola@howard.edu

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